The customer hasn’t read a single word yet — but already feels the style.
Light, composition, and mood all say: “This is a brand I trust.”
You don’t get a second chance at a first impression.
Composition is a tool, not an accident
A chaotic shot looks “just nice.”
A well-thought-out composition looks intentional and premium.
It guides the eye, evokes emotion, and focuses attention on the product.
Viewer attention is currency — and a well-planned composition
knows how to manage it.
Advertising photography doesn’t just show an image — it creates an impression: the smell of coffee, the texture of fabric, the coolness of glass, the atmosphere of a brand.
Buyers don’t choose with their eyes — they choose with their emotions.
If a photo evokes emotion, it’s already selling.
Content isn’t just a collection of photos for Instagram —
it’s a visual story in which every shot reinforces the brand idea.
Your aesthetic is what separates an “ordinary profile”
from a real brand.
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I build compositions with marketing logic in mind, not just “pretty light.” - My style is clean, atmospheric, and premium — every element works to support the brand image.
- I see the frame like a designer, feel light like a stylist, and create scenes like a storyteller.
- Every shoot begins with an idea, references, light, and mood — because a visual should speak the language of the brand, not just be a photo.
My way of seeing is not just photography — it’s a brand’s visual philosophy.
- Conceptanalysis of the brand and target audience, and development of a visual message.
- Selection of backgrounds, props, and lightingeverything tailored to the product, not done “by eye.”
- Shoota balance between cleanliness, texture, emotion, and message.
- Post-productionfinal harmony of light and color while preserving a natural look.
Every stage is thought through — from the idea to the last pixel.
All shoots are priced individually, as every project has its own goals and specifics. The cost is determined based on the type of shoot, the number of products, the level of complexity, and the required turnaround time.
Get in touch with me — after reviewing your project, I’ll send you a detailed quote and available timelines within an hour.
• Consultation + mini brief (one concept or a product series).
• Selection of simple props (backgrounds, stands, fabrics, tableware, leaves, coffee, etc.).
• Studio shoot up to 4 hours — 1–2 compositions, 5–7 final images.
• Work with natural and flash lighting.
• Basic post-production: color and contrast correction, background cleanup, subtle retouching.
• Files in two formats (Print + Web).
• Turnaround time: up to 3 business days, one round of revisions included.
• Preparation: brief + moodboard, selection of props and lighting.
• Shoot: up to 6–8 hours (2–3 shooting setups, in studio and/or on location).
• Example executions:
• ice cubes falling into a cup, splashes frozen in motion,
• water or coffee droplets captured mid-air,
• accessory shots in natural light — outdoors or indoors.
• Use of flash units with short flash duration / high-speed sync mode.
• Assistant included if needed.
• Post-production: cleanup, light balance, contrast, textures, detailed finishing.
• Final result: 6–8 finished images (Print + Web + social media versions).
• Turnaround time: 4–5 business days, 1–2 rounds of revisions included.
Additionally:
• Consumable materials (ice, glycerin, glass, smoke machine, etc.) — billed according to receipts.
• Outdoor shoot / location outside Warsaw — to be agreed individually.
• Express delivery (up to 48 hours) — +30%.
• Additional (complex) shot — 120 PLN.
Advertising photography is not just a “nice shot.” It’s an understanding of light, form,
color, and meaning. It’s a way of seeing that makes an image recognizable —
and a brand strong.
